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- Logic pro x vs ableton reddit free |
Logic pro x vs ableton reddit free
I find it to be one of the most useful tools on drums and have found a use for it elsewhere on vocals, pads, and string samples. You can use it on anything that you want to stand out in the mix. It certainly goes to bat with renowned third-party plugin manufacturers like Waves, Izotope, SoundToys, etc.
When it comes to a live performance DAW and "clip-launch" functionality, Ableton vs. Logic was never a conversation. Ableton was the only DAW that executed that workflow in the same way that a DJ would cue songs and mix in and out using smooth transitions.
Sure, you could hook your computer up to a mixer with a multitrack of a bunch of songs, but that's clunky and very prone to error on stage. With Live, the ease of layout and workflow was a game-changer. The concepts are simple; load songs onto a single track vertically and clicking play on subsequent tracks will count in, then stop the previous track. Or, create a new track and load up songs that will play simultaneously as other tracks that are playing. Each space on a track is a stop button for the currently playing clip on that track.
That's it. A fail-proof auto-cue system that made everyone who had a laptop and Ableton Live a DJ. However, the clip-launch functionality has been more or less the same since it was released. Inevitably another DAW would catch up Now, Ableton vs. Logic is the conversation we're having due to Logic Pro really upping their game and implementing a very well-done clip-launch view.
They copied Ableton Live verbatim but did it in their polished, friendly-for-all, UI. It might as well be Garageband Live. They also made the live looping functionality utilize Logic's traditional composition view track format, so Logic live performers can easily use both the grid view and a view that's familiar to them.
So, Ableton vs. Logic when it comes to live performance? Both do it well and have near-identical functionality. The only leg-up that Ableton has is the integration of dedicated controllers like Push 2 fr live performers to us on stage. In this day and age, elastic audio algorithms have resulted in natural-sounding pitch correction across the digital audio workstation continuum. One of the most common and well done is "Elastique", made by a company called zplane. Ableton Live has had zplane's time-stretching since the early days, which is why it was such a renowned warping tool from the start.
As Apple always does, they rolled their own for Logic Pro. The warping was horrific up until around Logic 9, then finally became something usable for making music across the board; from fixing drums in rock songs to full-fledged warping of entire songs for electronic music remixes.
Logic in the warping workflow. Each of them utilizes warp markers, as does most every app in the digital world these days. The differences between Ableton vs. Logic are only slight, but depending on your workflow, you may prefer one over the other.
Ableton does its warping in a dedicated window that shows up when you double click an audio file. Some people may not like the "disconnected" arrangement timeline and audio editing timeline, others may appreciate the fact that you can get all your warping done in a dedicated space, then move back to your composition. The Pro version is slightly more advanced thus using more CPU. All of them sound fantastic and allow a broad enough selection to get any type of music done you like.
Logic does its warping on the composition timeline in a special "Flex" mode, accessible via key command. Once you start digging into what's available, it can become quite a granular process. Ableton doesn't have anything like the Slice setting, which allows you to not only slice at transients automatically, saving time if you're making those types of edits, but you can choose to fill gaps automatically, choose a decay time between slices, and alter the slice length.
Tempophone also has a few features that don't exist in Live and lets the user change grain size and crossfade. Live users spend less time warping, but there are also not as many options as Logic. It depends on what your desired outcome is. Each of them is incredibly effective.
We've established that Logic's deeper editing allows it to shine brighter in the audio recording and editing realm, due to its snappy customizable key command functionality and support for insanely high track counts.
We've also highlighted why Ableton most likely holds the trophy for best live performance DAW, in its long-standing clip-launching functionality and integration with great hardware devices such as Push 2. Ableton Live Lite is always an option as well if you're intrigued by Live, but want to try it before you buy. You may find that the experimental nature of it is exactly what you've been looking for. Logic Ableton, Ableton Logic It's hard to choose between two amazing tools for music creation.
The thing about DAWs these days is that they all do everything, technically. What makes it useful is what you need it for, and those needs vary from producer to musician, to mixer, to composer, to someone editing dialog, to someone making sound effects, the list of use cases goes on and on. Find your workflow, then find your DAW. See All. Master A Track. Arrangement View. However, from personal experience we feel that Ableton Live is the DAW of choice for fast idea-generation and a speedy workflow.
It pays dividends to learn the shortcuts for each application or look at getting a keyboard overlay to help you. Keyboard overlays are especially useful if you plan on using both apps and will be jumping between them on a weekly basis. In Ableton, this sort of task would require very little extra work from the user. For this reason, Ableton Live is great for creating complex live sets with tempo changes and is also a great tool for creating studio DJ mixes and radio show podcasts.
Ableton has a basic pitch transposition engine which allows for basic edits to pitch and formant but has no real way of making in-depth edits to vocals at this stage. Whilst this algorithm can sometimes get it disastrously wrong it can be used as a great creative tool to come up with new ideas and is also something we use to extract timing values as well as harmonies and melodies from sampled material.
Ableton Live has MaxforLive which makes the possibilities of what you can do with Ableton Live almost limitless. If you can think of it, Ableton and MaxforLive can do it, such as:. Both Applications great with most standard midi controllers and control surfaces. Live suite 10 has some great new instruments but in general Logic would be better for someone who wanted to dive straight in due to the fact that you would need the Suite version of Live to get access to many of these new instruments and presets.
However, you can buy the extra instruments individually. Operator and Wavetable are must have synths. Logic Pro has a much greater choice for stock instruments and it is clear that a lot of time has been spent to create the presets and channel strips. These are great to use straight out the box and require little to no tweaking. We can firmly say that If you purchase Logic Pro then there is plenty of instrumentation going on to prevent you needing to buy any third party plugins unless you are trying to create a very specific sound.
Both logic and Ableton have a very comprehensive set of audio and midi devices. I would probably lean more towards Logic devices for things like variations of compressors and reverbs purely because Ableton only has the standard stock compressor, multi-band compressor, and glue compressor and lacks the ability to choose different compressor emulations.
Likewise, for reverb units Ableton only has the stock reverb device which is quite limited, there is also the convolution reverb which is a superb reverb unit, however this is a MaxForLive device so requires the user to have MaxForLive which comes bundled with Suite.
If you have had any experience with garage band then you will understand and pick up Logic Pro very quickly. The advanced mode in Logic Pro can be turned off to simplify the workflow for new producers but we recommend leaving this turned on.
For bands, live acts, and electronic acts Live is a strong choice as it is the perfect tool for practice sessions and getting creative. A caveat to this is that some producers find they get stuck in session view and prefer the arrangement view to help them propel their ideas forward into finished tracks.
There are a few things both applications could do with taking on board from one another but they are both equally good at what they do in their respective fields. The only way to truly know is to give both applications a fair trial run for a few weeks. This may seem like a time consuming process but choosing the correct DAW is a decision that you will carry throughout your entire music career so a few weeks spent making the right decision now may shave years off of how long it takes you to break through as an artist in the future.
Furthermore it may save you from having to transition to a different DAW in a few years time if you made the wrong choice when you first started producing. Is it okay to use both? FL Studio is a pattern-based DAW, but it is also multi-track software that allows us to record, mix, and master. FL Studio contains a sequencer, several synthesizers, sample libraries, drum machines , and effects such as reverb, chorus, flanger, equalization, and delay.
An advantage of this DAW is its updates are free and for life. When a project, song, or clip is completed, you can export or save it to the following formats:. Ableton Live is an industry benchmark program, designed for composition and live music.
Its latest version comes loaded with all the powerful features of previous versions and substantial improvements. Another notable feature in this DAW is Max for Live, a plug-in that allows you to optimize program control for live sessions.
Created in , widely used in professional environments, recording studios, and multimedia movies, videos, concerts. Pro Tools has the essential components in a DAW, improved to edit audio with ease. In Pro Tools, you can redo sounds and correct nuances and tonality flexibly and precisely. With the Smart Tool, cutting clips, editing notes, and adding fades are very practical.
One of the most complete music production software packages on the market is ideal to start producing, or for an industry professional. Cubase visually is clean and straightforward, one of the characteristics that preserved since its beginning, and that can slow down the workflow , cause every time you want to do something, a new window opens. We must manage these to do our work quickly. It is advisable to have several screens. Cubase in their Pro 10 version comes with VariAudio 3 for pitch correction , plus Snapshots of MixConsole to store a mix.
It is a tool to line up audio, which allows users to align tracks and be perfectly synchronized quickly. VR and video game producers will be pleased Cubase now includes the Steinberg Virtual Reality production suite, designed to produce virtual reality VR content.
It stands out for having one of the most intuitive interfaces, a modern design, and an extensive library of plug-ins, instruments, effects, and sounds, which has more than instrument and effect patches and 10, loops. It also featured the Score Editor, a tool focused on musicians, music students, and producers working with music notation. Also, you can get the score of a MIDI already created. In audio editing , Flex Pitch stands out, to fix detuned voices and change audio melodies; Flex Time manipulates the tempo.
Live Loops, allows you to compose and improvise, Logic Remote enables you to manage music sessions from iPad or iPhone. Although some DAWs go more in-depth into some functions, they all have very similar characteristics. Choosing the right DAW for you will depend more on the type of work you are performing, the musical style you want to produce, and the tools and plug-ins you use in your daily workflow.
Is Logic Pro Worth It? How Does It Work? The workflow of a DAW is synonymous with fluidity, efficiency, and how quickly an audio project is performing in addition to the convenience of using the tools and the possibility of creating shortcuts, customizing workspaces, and the intuitiveness of the interface.
We found some DAWs with a more intuitive workflow like Logic Pro , or programs like Pro Tools, which is characterized by having a slightly denser interface. Next, we will find the main workspace. At the top of the user interface, groups of tools: tools movement, display, and other parameters as Cycle, Replace, Count in, Click, etc.
In addition to having an extensive library and its almost infinite native plug-ins, Logic Pro X has the basic windows of every DAW: mixer, inspector, toolbar, and sequencer predisposed in a highly intuitive way. The first allows us to establish shortcuts making the work more efficient, as well as various configurable editing features, and second, it helps us quickly adjust the sound of a track without having to edit channel settings or open individual module windows.
In Logic Pro X, we must bear in mind automation can be a bit complex. Also, the platform only receives AU plug-ins, and if you want to have the entire library, you will need 72 GB of memory. The focus of the program design is elementary to use and optimized for live improvisation.
It is essential to talk about two features that simplify the workflow: the ability to edit multiple MIDI clips at the same time, and the option of organizing the library into collections.
Ableton Live workspace comes as follows: browser on the left, which has an intuitive, customizable area where we can import libraries and have everything under control.
Above the browser are the native effects, installed VSTs, samples, and other libraries by default. At the bottom, some frequently used folders.
